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Photographer: David Gray/AFP via Getty Images
Venues for orchestral performance often boast thrilling designs and troubled development processes. Here’s why these spaces can be so difficult — and rewarding — to create.
A new home for the New York Philharmonic opened in 1962, an optimistic, modern design intended to invite a music-hungry middle class (enamored with its charismatic and TV-friendly music director, Leonard Bernstein) and reinforce the city as a capital of culture.
Designed by Max Abramovitz as a cage of glass wrapped in tapering white travertine columns, it was the vanguard venue of the massive new Lincoln Center arts complex.